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Terminator 3:
Rise of the Machines
directed by Jonathan Mostow
story by John D. Brancato & Michael Ferris and Tedi Sarafian
screenplay by John D. Brancato & Michael Ferris
based on characters created by James Cameron & Gale Ann Hurd
starring: Arnold Schwarzenegger, Nick Stahl, Claire Danes, and Kristanna
Loken
The first two Terminator movies are classics, not so much
as films as much as for what they brought to motion pictures. The first is
credited as introducing writer/director James Cameron as a solid craftsman,
and, more importantly, Arnold Schwarzenegger as a blockbuster commodity.
T2: Judgement Day contained innovative "MORF" effects, produced by
Industrial Light & Magic, which revolutionized computer generated special
effects. The third installment, Rise of the Machines, probably won't
go into any film history books, it lacking anything original or new. Yet,
as far as action films go, T3 has everything you could possibly
want. Everything that you know of, at least
There were low expectations for Terminator 3 because James
Cameron, who wrote and directed both previous chapters, had absolutely no
part in its making. It was also worrisome that the film would be so lacking
in groundbreaking effects, that there would be nothing of interest aside
from familiarity and nostalgia. And the writers may have sensed these
worries because they have totally capitalized on them. The script pays
tribute to the previous episodes by adhering to Cameron's formula so much
that at times, and I presume this was intentional, it makes fun of the
franchise as well as itself. The trademark voice-over at the opening and
close, the acquisition of clothing, specifically the leather jacket for
Schwarzenegger, and of course, the ever-important one-liners are all back
for another run.
Not back this time is Linda Hamilton, who began it all as
original target Sarah Connor, who would immaculately conceive the future
savior of mankind. So without the feminine ass-kicking Hamilton (Cameron
commonly features action heroines) supplied the last time around, Kristanna
Loken is featured as the T-X, a near perfect terminator who primarily takes
shape as a beautiful woman. She has been sent back, not to kill John
Connor (Stahl), who "lives off the grid" and cannot be located, but to wipe
out other high-ranking members of Connor’s future army, including Kate
Brewster (Danes).
Fate brings John and Kate together, though, and both become the
T-X's primary targets. Meanwhile, Skynet, the military project responsible
for the machines that will take over the world, is going as planned, despite
the attempt to shut it down in the last film. In charge of the project is
General Robert Brewster (David Andrews), Kate's father, another target of
the T-X.
In order to save the life of the general as well as all of
humanity's, John and Kate must evade the attempts made by the terminator,
get to Skynet's headquarters in the Mojave Desert and shut the project down
before the beginning of armageddon, scheduled to take place in three hours.
Sent for their protection is another T-800 (Schwarzenegger) who has
no interest in stopping Skynet. He only wants to get the two far enough
from the T-X, which he feels is unstoppable and far enough from where the
bombs will inevitably fall. Due to an interesting catch, though, he is
persuaded to bring them to the military base, despite his primary
objectives.
Aside from getting top-billing and a record high salary,
Terminator 3 is not Schwarzenegger's film. He has very little to do
aside from providing comic relief in his characteristic monotone dialogue
and a tremendous fight with the T-X in a men's room, providing one of the
many allegorical statements found in the film. Nor is it Loken's film,
though her terminator is extremely lethal and supplies some of the most
destructive action scenes I've seen in a long time. Early in the film, she
drives a crane through the streets of Los Angeles, completely blowing away
the overrated chase scene from another of this summer's movies. Yet, she
barely speaks, lacks the muscle of Linda Hamilton, acts more lifeless than
Schwarzenegger (and for that matter, the crane as well), and, I have a
feeling, her terminator model is more easily disposed of than the movie
admits, in some ways causing it to be less advanced than the T-1000 of the
last film.
Nick Stahl is the deserved owner of this picture. He is so much
more preferable as Connor than Edward Furlong, showing a real talent for
acting that even surpasses his great performances in Bully and In the
Bedroom. Most young actors could have ruined the whole picture by playing
too weak or too whiny. Stahl performs the role with a perfect combination
of cynicism and trepidation. As Eve to his Adam, Claire Danes overcomes an
awkward sense of cliche prissiness, eventually displaying honest emotion as
a woman abruptly thrown into her destiny by a lifetime's worth of tragedy in
the span of a few hours. Director Jonathan Mostow takes a lot of interest
in these two characters, never allowing them to fall into stereotypical
scenes of getting to know each other, understanding each other and
climactically embracing or kissing. They provide great contrast with the
terminators which are used more as one-note gimmicks to push the story
along.
I find myself wanting to rewatch, not only the spectacular action
sequences, but those little moments between explosions and crashes when John
Connor is doubting his abilities or when Kate Brewster is mourning her
fiancé. They are scenes just as well-crafted and somewhat more important
than any kind of innovation in special effects.
By the end of the movie, a lot of things from the series are tied
up nicely as paradoxes are explained and philosophical ideas are laid out
which are not often presented in science fiction these days. Terminator
3 is a fast, action-packed, well-written and for the most part
well-acted sequel. It may not be entirely memorable, especially following
its predecessors, but as entertainment, the movie is first-rate.
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